...in which I share some of my favorite medieval research resources and methods for the benefit of others interested in also writing about the Middle Ages
Pages
Monday, April 23, 2012
Calling All Katies
Saturday, March 10, 2012
My first live interview!
Tuesday, March 6, 2012
"Illuminations of the Heart" Book Trailer
Monday, October 26, 2009
My First Week at Costco
Also, my future dates and locations are a bit up in the air, so I'm revising a number of previously posted dates to TBA's in my post below. I'll update my schedule as I receive it. Just click on the hand with the pen in my right hand sidebar to check out my dates as I receive and post them.
Friday, October 16, 2009
Illuminations of the Heart at Costco!
Remember that "new venture" I mentioned yesterday that will leave me limited time for blogging in the immediate future? Well, that's due to the fact that Illuminations of the Heart is hitting the big time...sort of! For the next two and a half months, I will be signing copies of my sweet medieval romance, Illuminations of the Heart, at various Costco's in Arizona. I'll be signing three days of the week, Thursday, Friday, and Saturday afternoons for four hours a day, rotating between four Costco stores in the Phoenix metropolitan area. However, though my book signings are only four hours each, my driving time back and forth to each of these signings will add another four hours to each of my days. So I'll be forced to cut back on some things such as email and...yes...daily blogging! If I have the energy, I'll try to share some of my Costco adventures with you along the way when I can. (If I have any adventures, that is.)Monday, September 28, 2009
"Illuminations of the Heart" Book Blog Tour Winners!
Sorry to be posting this so late. Although the names were drawn, it took a little longer than expected to track down some of the winners to let them know about their prizes. My publisher is actually still trying to track down the winner of the BarnesandNoble.com gift certificate, but in the meantime, I'll list the winners names so far.Friday, September 25, 2009
Review of "Illuminations of the Heart" at Bella Online!
Monday, September 14, 2009
Book Blog Tour for "Illuminations of the Heart": Final Reminder!
Here's a final reminder that we're coming up fast on the end of my book blog tour for Illuminations of the Heart. The blog tour dates, with corresponding links, are posted in my right sidebar. For EACH comment you leave on the reviews posted, you will be entered for a chance to win one of four prizes: 3 $10 gift certificates (one each for Amazon.com, BarnesandNoble.com, and DeseretBook.com) to be applied towards purchasing a copy of Illuminations of the Heart, or an autographed copy of Illuminations of the Heart itself. The more comments you leave, the more chances you have to win!Saturday, August 22, 2009
Two More Books on Medieval Books
First was a very handy little book called The Materials and Techniques of Medieval Painting, by Daniel V. Thompson. This book covers a tremendous amount of highly useful and fascinating material on the subject of medieval illumination and other kinds of medieval painting.
If you’re not an artist, the chapter headings can be a little confusing. Chapter 1, for instance, is entitled, “Carriers and Grounds”. However, I merely jumped straight to the subheadings in the chapter of particular interest to myself and my story: “The importance of book making”; “Parchment making”; “Vellum”; “Qualities of parchment”; and “Preparations”. These sections (which I heavily highlighted) taught me in detail how parchment was made, the difference between common parchment and vellum (“‘vellum’ means calf skin and nothing else, while parchment is a general term applicable to any kind of animal skin, including vellum”); and how parchment was prepared for the painting of illuminations. These sub-sections are followed by others not pertinent to my story, though they may be pertinent to yours, such as painting on wood, the use of gesso, creating a polyptych (multiple panels set in wood frames), and painting on canvas or plaster.
The second two sections that provide an absolute treasure trove for a researcher of medieval illuminations, are chapters 3 and 4, which cover the wide variety of pigments available to the illuminator and how these pigments were derived, breaking them down into their individual color groups: black, brown, white, red, blue, purple, green, and yellow (Chapter 3), followed by a lengthy section of colors derived from metals, with an emphasis on creating the gold gilding (Chapter 4) that truly gave manuscripts the brilliant, reflective “light” that “illuminated” their pages.
If only for this extensive and detailed section on pigments alone, The Materials and Techniques of Medieval Painting is well worth having in your library of resource books!
Finally we come to The Medieval Book, by Barbara A. Shailor. While similar in format to the research books I cited in an earlier post about illuminated manuscripts (i.e., lacking a useful index, but filled with helpful marginal headings to help you quickly navigate to the particular information essential to the story you are writing, as well as being liberally sprinkled with reproductions and photographs), The Medieval Book differs from those earlier sources by focusing on what it’s title suggests: books in general, rather than illuminated manuscripts in particular.

Not that illuminated manuscripts are neglected in this volume. They are indeed discussed, as any comprehensive resource on medieval books would require. But Shailor spends much more of her time describing how medieval books were made. Subjects covered include: pricking and ruling in preparation for the text to be added; ruling with sylus and crayon (the latter an innovation of 12th Century Europe outside of Itay); pattern books (mentioned in a previous post, and an important plot device in Illuminations of the Heart); the various styles of medieval scripts used by the scribes who created the text of the books; borders and miniatures (again, a nice section on illuminations); followed by how medieval books were actually put together (sewn, board attachments, pasteboards, headbands and edges, decorative stamping of the covers, and much, much more!).
These are by no means the only resource books available for information on medieval illumination, painting or book making. They are simply the titles I used in researching these subjects for Illuminations of the Heart. If you see comments listed on any of my posts, you’ll want to take time to check them out, as readers often share additional titles they’ve found useful on these subjects, thus widening all of our research knowledge on this wonderful and fascinating subject!
Monday, August 10, 2009
My Book Blog Tour Starts Today!
Sunday, August 9, 2009
Book Blog Tour for "Illuminations of the Heart"
Beginning Monday you’ll be able to read a month’s worth of reviews of Illuminations of the Heart between August 10th – September 18th (excepting weekends and Labor Day). I’ve listed the dates and links in the sidebar on the right side of this page, so you can follow along each day or click along randomly to see what people are saying about my new book. And there will be prizes involved if you leave a comment at any or all of the reviews: 3 $10 online gift certificates will be awarded towards the purchase of a copy of Illuminations of the Heart (one each to Amazon.com, Barnes&Noble.com, and DeseretBook.com), plus an autographed copy of Illuminations of the Heart--4 prizes in all! You'll receive one entry for every comment you leave on any of the reviews during the blog tour.Tuesday, August 4, 2009
Online Book Release Party for “Illuminations of the Heart”: Friday, over at JDP NEWS!

Next Monday, August 10th, kicks off a month long Book Blog Tour for my new medieval romance, Illuminations of the Heart! From Monday, August 10th through Friday, September 18th (excepting the weekends and Labor Day), you’ll be able to read daily reviews of Illuminations of the Heart by various bloggers, intermingled with an occasional online interview with me. And although copies of Illuminations of the Heart have been available online for a few weeks now, it’s finally beginning to appear in the bookstores, so I’ve decided to have a party to celebrate both events.
Where will this party be held? Over on my companion blog, at JDP NEWS! The fun will kick off at 9:30 AM PST with an Introduction. Then beginning at 10 AM PST, I’ll be giving away a prize an hour for a full eight hours, the final, grand prize being an autographed copy of Illuminations of the Heart! To find out what the other prizes are…well, you’ll just have to show up on Friday and see. :-) (I'll drop just a hint for you guys, however...some of my early prizes may be more appealing to true medieval history buffs than the general reader, so you might want to check in early. ;-) )
So don’t miss the fun. Circle August 7th on your calendars. Pop in throughout the day to enter my contests and “chat” with me through the comments feature on my blog. Invite your friends to join us!
Hope to see you there!
Monday, July 13, 2009
More About Illuminated Manuscripts
I promised in my last post that I would finish telling you about my experiences with two of the books I mentioned there but ran out of room to discuss: The Illuminated Manuscript, by Janet Backhouse and Illuminated Manuscripts, by D.M. Gill.
Unlike Harthan’s The Book of Hours, which had separate sections for historical information (in the front matter), followed by pages of manuscript reproductions, both The Illuminated Manuscript and Illuminated Manuscripts intermingle the historical research information with manuscript samples.
The historical research information in The Illuminated Manuscript, by Janet Backhouse, lacks the helpful subject headings of The Book of Hours and Illuminated Manuscripts, with all the information running in one long narrative form between the pictures. One is therefore required to pretty much study the entire text, at least up through whatever century you have chosen to place your story in. It’s all easy, non-intimidating reading, though.

Some other facts I learned that played parts in my story:
- Not all scribes and illuminators belonged to religious communities. Although the setting up of craftsmen’s guilds for secular scribes and illuminators began mostly in the 13th Century, evidence that secular illuminators existed can be traced as early as the 12th Century setting of my story. Hence, having my heroine’s father operate a secular illuminating “shop”, though perhaps rare, was not historically implausible.
- The illuminated Psalter became a popular book for private devotions during the middle of the 12th Century. So my heroine is commissioned to illuminate a Psaltery in the course of my story.
- In the 12th Century Kingdom of Jerusalem there existed an artist who signed his work with the Greek name, “Basilius”. This artist created Psalteries for Queen Melisende of Jerusalem, so he must have been an artist of some stature and fame. Therefore, it made perfect sense that my heroine’s father might have been sent to Jerusalem to study Eastern methods of illumination with this great man.
There were other fascinating bits of information I picked up from The Illuminated Manuscript, but since they did not appear in my novel, I will reserve my discussion of them until they work their way into a future story of mine. :-)
D.M. Gill’s Illuminated Manuscripts similarly interweaves text with picture replicas. However, t his book is broken down into helpful subsections: A Short Chronology; Early Middle Ages, divided between Sixth to Ninth Centuries, Ninth to Eleventh Centuries, and Twelfth Century; Late Middle Ages, which covers the Thirteenth through Sixteenth Centuries; Materials and Manufacture; Other Cultures, focusing on Jewish and Spanish illumination; and a Conclusion bringing us up to the printing press.

I found the section on Materials and Manufacture to have the most practical application for my story. This section discusses (in greater detail than Backhouse’s book) how parchment was made; how pages were “ruled’ in preparation for adding the text; what kinds of pens and inks were used; how paints of various colors were prepared for the illuminated miniatures (including another reference to lapis lazuli); the application of gold or silver leaf; how the final, completed book was assembled; and even how much some “professional illuminators” charged for their work. I was not able to use a fraction of this information in my novel, Illuminations of the Heart, but I certainly now have a treasure trove of interesting facts for future projects!
I have a few more titles related to illuminated manuscripts to share with you in my next blog. Until then, you might check out the comment left by writemedieval on my last post to check out two books on illumination by Christopher de Hamel. I’ve already put both of these books in my Amazon shopping cart!
Thursday, June 25, 2009
Shedding Some Illumination on Medieval Illumination
Okay, so I admit it. It’s been, like, forever since I’ve blogged here. My apologies. I kind of got lost in “life” for awhile. There’s good news, though. Remember that detour I told you about, putting my next medieval novel, Illuminations of the Heart, on hold while Leatherwood Press re-published Loyalty’s Web? Well, not only has Leatherwood decided to publish Illuminations of the Heart as well (under a new imprint of theirs called Walnut Springs Press), things have proceeded along so swimmingly that the book has been typeset, the cover art has been finalized (see right), and ARCs are being sent to reviewers, even as I type this! You can read the back cover blurb on my companion blog, JDP NEWS, and the first chapter there as well, if you like. If you do so, you’ll discover that the heroine of my new medieval romance is a medieval illuminator. So it only seems appropriate that I resume my posts to medieval research with joyce by sharing with you a few sources I used for my novel regarding medieval illumination.The chief problem I discovered with researching books about medieval illumination was the indexes…or to be more precise, the lack in most instances thereof. Three of the initial source books I used for my research were: Illuminated Manuscripts, by D.M. Gill; The Illuminated Manuscript, by Janet Backhouse; and The Book of Hours, with a historical survey and commentary by John Harthan. Now indexes are my favorite method of “short cutting” research. Instead of reading an entire book on a subject that might contain only a fraction of needed information for one’s project, one can look in a good index and zero in on a subject, such as, let’s say in the case of medieval illumination, “inks”, “paints”, or “writing implements”. However, I discovered that many books about illuminated manuscripts are treated as art books, rather than research books, and whoever the powers-that-be are who are in charge of assembling such books tend to place the emphasis on the undeniably beautiful examples of illuminated manuscripts through the ages, rather than the process by which such manuscripts were made. Hence, the bulk of the three books listed above are made up of page after page after page of examples of beautiful artwork from medieval manuscripts. But an index? Only one of these three books had one, and the exception—in The Book of Hours—was made up almost entirely of the names of artists, names of manuscript collections, and names of historical personages. Hence…no short cut to the research process in the back matter.
Fortunately, however, each of these books had plenty of front matter preceding the replica portions to provide me with lots of information on how the replicas to follow were originally created. And in this front matter, two out of three of these books broke this information down into subject headings which did assist in speeding along my research.
For example, my heroine in Illuminations of the Heart had no intention of creating a Book of Hours, at least for the duration of this part of her story. (What she might have created after I typed “the end” is another matter entirely!) But the front matter of The Book of Hours is broken down into these categories: “Historical Evolution”; “Contents”; “Decoration”; and “Social Aspects”. The historical evolution of the Book of Hours was not pertinent to the story I was telling, so I could simply skip over this part. Under the heading, “Contents”, I did find some useful information regarding the Gradual Psalms, and since my heroine did, in fact, illuminate a psaltery in my book, this portion of the front matter was very helpful. Most of the information under “Social Aspects” did not prove pertinent to the current needs of my book. Hence, I zeroed in on the part about “Decorations”. This, for the purposes of my novel, proved the most helpful portion of The Book of Hours. This section taught me about pattern books (books designed to show a patron examples of the illuminator’s range of artwork); how books were first ruled by the scribe, prior to either calligraphy or miniatures being added; how spaces were deliberately planned out ahead of time and left in the text for illuminated letters or images to be added later; and the method by which such decorations were ultimately added. All of this was discussed in very brief detail, requiring me to seek out further sources that would provide me with greater depth of information, but this section did prove an excellent starting point for suggesting to me what kinds of information I needed to delve into more deeply. And its description of decorative letters inspired a scene in my book where my heroine paints an image of the Biblical shepherd-king, David, inside the loops of a large, illuminated “B” in the word “Blessed” at the beginning of the first verse of the Gradual Psalms. (Granted, I used the English, rather than the Latin, form of this Biblical text, but that was to impart a greater emotional impact of the verse on the reader.)
I was going to share with you information on illuminations gleaned from the other two source books I mentioned above, but I think this post is long enough as it is. So here I will stop, but this time I promise to return, sooner rather than later (certainly sooner than eight months later!), and share with you my experiences with Janet Backhouse’s The Illuminated Manuscript and D.M. Gill’s Illuminated Manuscripts.
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Argh!!! Once again, I discover that one of my treasured research books is apparently out of print. But once again, there appear to be multiple used copies of The Book of Hours by John Harthan available on Amazon, so my guilt at referring you to another out-of-print book is slightly salved. It hasn't been the first time, and unfortunately, it more than likely won't be the last!
Friday, August 15, 2008
Apologies, a New/Old Book, and Another Research Tip
Originally, I was hoping to publish the next novel in my series, Illuminations of the Heart, and subsequently was looking forward to sharing all kinds of new research sources with you that I used for that novel. But then Leatherwood Press picked up Loyalty’s Web and asked me to put Illuminations of the Heart on the shelf for awhile, while they publish Loyalty’s Web and see how it does in the marketplace. If well, then they will likely want to publish Illuminations of the Heart as well. (So keep your fingers crossed for me!)
I did proceed with some revisions of—oh, let’s just call it Illuminations, it’s shorter that way!—this summer and hopefully have it in good submittable form now, but it remains on hold for the foreseeable future—and so, for now, do my coordinating research posts.
But I do owe you, my faithful readers, something in the meantime. So here’s a book and a tip that I haven’t mentioned before. I haven’t mentioned the book because I assumed it was such a basic resource that everyone would already know about it. But I should know better than to make assumptions like that—maybe you don’t know about it at all! So here it is:

Life in a Medieval Castle, by Joseph & Frances Gies. This is one of the first research books I ever found on the Middle Ages, way back in the late 1970s. And the good news is, this book is STILL IN PRINT. (I was going to tell you about another favorite medieval book of mine, but when I discovered it is out of print, I decided I’ve tortured you enough for awhile with wonderful but difficult to obtain titles. I’ll share it another time.)
Life in a Medieval Castle includes the following chapters:
1. The Castle Comes to England
2. The Lord of the Castle
3. The Castle as a House
4. The Lady
5. The Household
6. A Day in the Castle
7. Hunting as a Way of Life
8. The Villagers
9. The Making of a Knight
10. The Castle at War
11. The Castle Year
12. The Decline of the Castle
The chapters are followed by a Glossary of Castle Terms and a Glossary of Feudal Terms.
This really is an excellent, basic starting point for anyone researching the Middle Ages. (Of course, each chapter should be just that, a starting point for your research, and not the beginning and end of your research journey.)
Now, here is the tip that I wish I had followed more consistently in my research books. It’s basically the same tip that I offered much earlier in my post on Medieval Gardens, Part II—don’t be afraid to write in the margins of your books!
For example, in Life in a Medieval Castle’s chapter on “Hunting as a Way of Life”, I made the following margin notes:
Paragraph 1: morning hunting
Paragraph 2: huntsman-sizing a dear
Paragraph 3: hunting dogs
Paragraph 4: hunting equipment
Paragraph 5: boar hunting
Paragraph 6: the huntsman/the hunting company—members
Paragraph 7: hawks
Paragraph 8: kinds of falcons
Paragraph 9: the mews
Paragraphs 10-14: training of a falcon
Paragraph 15: training of a falcon—to stand on human wrist
Paragraph 16: guarding the falcon
Paragraphs 17-18: falcon training to return to master
Paragraph 19: training the falcon—the lure
Paragraph 21: training the falcon
Paragraph 22: dogs and falcons
Paragraph 23: falcons and ducks
Paragraph 24: description of a falconer/care of falcons
Paragraph 25: forest supplements
Paragraph 26: poaching penalties
Paragraph 27: royal forest, the warren, forest dogs
Okay, I’m going to stop counting now, but other paragraphs in this chapter include the margin notes: forest courts; forest courts & enforcement; forest courts—the forest eyre—penalties; forest administration & officers; private forests or chases; ecclesiastical preserves; exceptions to forest law; foresters—abuse of powers; “hue and cry” against forest offenders; forest officers a hated class.
These were all notes I took the time to make in the margins as I read this chapter. Can you see how now, when you want to know about falconry, you don’t have to plow through the entire chapter every single time to find only the particular information on falconry that you want? Or if you want to know what happened to poachers, you can quickly skip over the falconry paragraphs to quickly grab the information you need?
Sadly for me, I have followed my own advice quite erratically in my research books, including Life in a Medieval Castle. Some chapters I took the time to mark with margin notes, others I didn’t, always making the search for information harder than it would have been if I had consistently followed the advice I just gave you. Learn from my mistakes, if you can. And thankfully, it’s not too late for me to learn myself and go back and make the notes I should have made in the first place.
Other books by Joseph & Frances Gies include (all still in print, with one exception):
Life in a Medieval Village
Life in a Medieval City
Women in the Middle Ages (apparently out of print, I don’t know why—good thing I bought my copy when I did!)
The Knight in History
Marriage and the Family in the Middle Ages
Cathedral, Forge and Waterwheel: Technology and Invention in the Middle Ages
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NOTE: If you scroll down the right side of this page, you’ll see that I’ve added two new widgets: Castles of the World and History Trivia. Both should be changing daily. (Or, from the looks of it, possibly more often than that!) I hope you enjoy the new additions!
